In Metamorfosis Fahmi Alqhai and Dani de Morón take a step forward to enter into terra incognita and connect their personal styles, in a line in which flamenco is enriched with artistic influences from baroque music and jazz, a style with which Morón has long-standing ties and which he has integrated into his personal language.
With the support of:
In Metamorfosis Fahmi Alqhai and Dani de Morón take a step forward to enter into terra incognita and connect their personal styles, in a line in which flamenco is enriched with artistic influences from baroque music and jazz, a style with which Morón has long-standing ties and which he has integrated into his personal language.
With the support of:
A duo concert by Fahmi Alqhai with the Japanese guitarist Kiyoshi Shomura at the Hyogo Performing Arts Center.
With the support of INAEM (Spanish Ministry of Culture):
Marais and Forqueray clashed in every aspect. The former was a craftsman with aspirations to climb the social ladder and a clear desire to bear witness to his art. The latter was a haughty revolutionary of improvisation, who boasted that he had never written a note. Marais presented himself as the heir to a whole tradition that had made the viola one of the noblest instruments in the France of his time. Forqueray despised print to such an extent that if his pieces have survived it is thanks to his son who published them posthumously in 1747. Marais encouraged the classical spirit. Forqueray, that of excess.
With the support of:
Concert as included in the Christmas programme of the city of Madrid.
The luxurious Baroque Rome of Popes Urbano VIII and Inocencio X, the one built by Bernini and Borromini that we admire so much today, listened to the refined music of Palestrina and Mazzocchi. Their spiritual madrigals sublimated the art of sensual desire to address it to the most beloved figure of the Catholic Counter-Reformation, the Virgin Mary, the discreet protagonist of the Nativity Story: together with Accademia del Piacere we can enjoy the music of the exclusive, subtle and sophisticated atmosphere of the Roman cardinal aristocracy of the Seicento.
With the support of:
In Metamorfosis Fahmi Alqhai and Dani de Morón take a step forward to enter into terra incognita and connect their personal styles, in a line in which flamenco is enriched with artistic influences from baroque music and jazz, a style with which Morón has long-standing ties and which he has integrated into his personal language.
With the support of:
A duo concert by Fahmi Alqhai with the Japanese guitarist Kiyoshi Shomura at the Hyogo Performing Arts Center.
With the support of INAEM (Spanish Ministry of Culture):
Fahmi Alqhai and Alba Carmona, each one from its point, they will intertwine their musical sheets looking for the points of union of cantes today alive with their origins.
With the support of:
New show by Accademia del Piacere, Fahmi Alqhai and Dani de Morón.
In collaboration with:
In collaboration with:
