CANTAR DE AMOR
JUAN HIDALGO and the 17th Century Spanish music
Juan Hidalgo was the Velázquez of the music for the eccentric, lavish Spanish court of Felipe IV. Hidalgo was the creator of the first Spanish operas, and the leader of a group of musicians impelled—closed borders—to become original by force, without access to more springs from which to drink than those of tradition and folklore. In such a way, Spanish music affirmed and developed its native features – almost exclusive instruments such as the guitar and the harp, singular harmonies, crossrhythms rarely encountered elsewhere, its own individual musical forms such as the villancico and the romance, of popular inspiration such as the jácara and the seguidilla, and dances from beyond the seas which were then copied across most of Europe such as the folías, the chacona, the zarabanda…
Juan Sancho — Tenor
Rami Alqhai — Violone
Johanna Rose — Viola da gamba
Enrike Solinís — Baroque guitar
Javier Núñez — Harpsichord
Pedro Estevan — Percussion
Fahmi Alqhai — Viola da gamba & musical direction
Pavana – Gallarda – Passacalle
Gaspar Sanz (1640-1710) – Fahmi Alqhai
Ay Amor – Trompicávalas Amor
Juan Hidalgo (1614-1685)
Passacalle i Ciacona, a tre
Andrea Falconieri (1585-1656)
No piense Menguilla ya
José Marín (1618-1699)
La noche tenebrosa
Juan Hidalgo
Dos Estrellas le siguen – Improvisación sobre la Folía
Manuel Machado (1590-1646)
Marionas
Francisco Guerau (1649-1717/22) – Fahmi Alqhai
Esperar, sentir, morir
Juan Hidalgo
Recitado: Rompa el aire en Suspiros
Juan Hidalgo
Ay que me muero de zelos
Mateo Romero “Capitán” (1575-1647)
Marizápalos
Anonymous 17th C. – Fahmi Alqhai
Romerico florido
Mateo Romero “Capitán”
Ay que me río de Amor
Juan Hidalgo