• Twitter
  • Facebook
  • Youtube
  • Legal Notice
  • ES
  • EN
  • ES ES ES es
  • EN EN EN en
Accademia del Piacere
  • About us
  • Fahmi Alqhai
  • Concerts
  • Programmes
  • Discography
  • Media
  • Blog
  • Shop
  • Contact
  • Search
  • Menu Menu
  • 0Shopping Cart

“The reading of Il Combattimento do not hesitate to touch the extremes of the whole emotional range. The war passages are full of violence, while the final part is delivered to the deepest and most hopeless despair.”

Stefano RussomannoABC Cultural · Spain, April 2011
PreviousNext

AMORI DI MARTE

MADRIGALI GVERRIERI, ET AMOROSI. Claudio Monteverdi

Listening to the Lament of the Nymph or to Il Combattimento di Tancredi e Clorinda, in the musically-cherished versions by Fahmi Alqhai and the Accademia del Piacere, I was able to notice that, strange though it may seem, time ceases to be. Quoting Fray Luis de León: “the air becomes still and dresses with beauty and with spotless light…” Calmness, beauty, special light. Hardly can someone express the sorrow for the beloved’s absence in a more sensitive, dramatic way as Monteverdi does in his Lament of the Nymph. His music most gently accompanies the lines in which the betrayed woman sadly complains. An unrequited love story, inspired on a canzonetta by Ottavio Rinuccini, to which Monteverdi sets a kind of music that combines melancholy and reflection. “So, in lovers’ hearts, Love mixes fire and ice.” Bellissimo.

Juan Ángel Vela del Campo

Juan Sancho — Tenore
Marivi Blasco — Soprano
Victor Sordo — Tenore
Fahmi Alqhai — Violino da gamba & direzione
Rodney Prada — Violino da gamba
Johanna Rose — Viola da gamba tenore
Rami Alqhai — Viola da gamba bassa
Javier Núñez — Cembalo
Enrike Solinís — Arciliuto
Pedro Estevan — Percussione

Toccata

Combattimento di Tancredi e Colrinda

Non Verdò mai le stelle
(disiminución Fahmi Alqhai)

Sinfonia “Il Ritorno di Ulisse in Patria”

Improvisaciones sobre la passacaglia

Lamento della Ninfa

Entrata del Ballo delle Ingrate

Passacaglia
(Biaggio Marini 1594-1663)

Ed è pur dunque Vero Sinfonia Prima “Vaghi concenti” Tempro la Cetra

CONTACT & MANAGEMENT

+34 955 226 316
alqhai.alqhai@gmail.com
Accademia del Piacere © 2016 | Diseño: Mr. Gálvez
  • Twitter
  • Facebook
  • Youtube
A Piacere Rediscovering Spain
Scroll to top
X