Romance of Moors and Christians, music for the reconciliation of civilisations.
Fahmi Alqhai Viola da gamba and musical direction
Ghalia Benali – vocals
Quiteria Muñoz – soprano
Accademia del Piacere
Dani de Morón – Flamenco guitar
Rami Alqhai – Viola da gamba
Johanna Rose – Viola da gamba
Kiya Tabassian – Seetar
Javier Núñez – Organ
Agustín Diassera – Percussion
With the collaboration of:
Music from 17th century Baroque Spain influenced by the dances brought from the vast colonies of the Spanish crown: Naples, Portugal and the American viceroyalties.
Quiteria Muñoz, soprano
Rami Alqhai and Johanna Rose, viola da gamba
Carles Blanch, baroque guitar
Fahmi Alqhai, viola da gamba and musical direction
Music from 17th century Baroque Spain influenced by the dances brought from the vast colonies of the Spanish crown: Naples, Portugal and the American viceroyalties.
Quiteria Muñoz, soprano
Rami Alqhai and Johanna Rose, viola da gamba
Carles Blanch, baroque guitar
Fahmi Alqhai, viola da gamba and musical direction
Music from 17th century Baroque Spain influenced by the dances brought from the vast colonies of the Spanish crown: Naples, Portugal and the American viceroyalties.
Quiteria Muñoz, soprano
Rami Alqhai and Johanna Rose, viola da gamba
Carles Blanch, baroque guitar
Fahmi Alqhai, viola da gamba and musical direction
Programme for consort of violas da gamba violas da gamba consort on chorales by Johann Sebastian Bach.
Fahmi Alqhai, quintón and music director
Johanna Rose, viola da gamba tenor
Rodney Prada, viola da gamba bass
Rami Alqhai, viola da gamba bass
Maëlys Robinne, soprano
With support from INAEM (Ministerio de Cultura de España):
A duo concert by Fahmi Alqhai with the Japanese guitarist Kiyoshi Shomura at the Hyogo Performing Arts Center.
With the support of INAEM (Spanish Ministry of Culture):
Marais and Forqueray clashed in every aspect. The former was a craftsman with aspirations to climb the social ladder and a clear desire to bear witness to his art. The latter was a haughty revolutionary of improvisation, who boasted that he had never written a note. Marais presented himself as the heir to a whole tradition that had made the viola one of the noblest instruments in the France of his time. Forqueray despised print to such an extent that if his pieces have survived it is thanks to his son who published them posthumously in 1747. Marais encouraged the classical spirit. Forqueray, that of excess.
With the support of:
Concert as included in the Christmas programme of the city of Madrid.
The luxurious Baroque Rome of Popes Urbano VIII and Inocencio X, the one built by Bernini and Borromini that we admire so much today, listened to the refined music of Palestrina and Mazzocchi. Their spiritual madrigals sublimated the art of sensual desire to address it to the most beloved figure of the Catholic Counter-Reformation, the Virgin Mary, the discreet protagonist of the Nativity Story: together with Accademia del Piacere we can enjoy the music of the exclusive, subtle and sophisticated atmosphere of the Roman cardinal aristocracy of the Seicento.
With the support of:
A duo concert by Fahmi Alqhai with the Japanese guitarist Kiyoshi Shomura at the Hyogo Performing Arts Center.
With the support of INAEM (Spanish Ministry of Culture):
Fahmi Alqhai and Alba Carmona, each one from its point, they will intertwine their musical sheets looking for the points of union of cantes today alive with their origins.
With the support of:
