• Twitter
  • Facebook
  • Youtube
  • Legal Notice
  • ES
  • EN
  • ES ES ES es
  • EN EN EN en
Accademia del Piacere
  • About us
  • Fahmi Alqhai
  • Concerts
  • Programmes
  • Discography
  • Media
  • Blog
  • Shop
  • Contact
  • Search
  • Menu Menu
  • 0Shopping Cart

“Here again the group’s name (Accademia del Piacere) said it all: never have I heard a more varied, challenging, moving and pleasurable concert.”
“Real Magic in Berlin”

David YearsleyCounterpunch · EEUU, April 2012
PreviousNext

IN DULCI JUBILO

It isn’t easy to understand why Bach decided to leave Köthen and to take the post of Kantor in Leipzig. It is clear however that many of the deepest pages of the organist born in Eisenach were written in Leipzig; among them, the least known to the general public—and most special—are maybe the triosonatas for organ, full of spirituality and probably composed for the training of his talented son, Wilhelm Friedemann. Before and after these sonatas we will listen some of the most beautiful chorals by Bach: very well-known—for the German parishioners—melodies embellished by adding voices, where Bach demonstrates a technical virtuosity in the musical writing absolutely out of the reach of any other composer in History.

Fahmi Alqhai — Viol & Musical Direction
Johanna Rose — Viol
Rami Alqhai — Viol
Enrike Solinís — Lute
Javier Núñez — Harpsichord

Dulci Jubilo. BWV 751

Liebster Jesu, wir sind hier. BWV 731

Wachet auf, ruft uns die Stimme.
BWV 645

Trio Sonata no 3 d-moll. BWV 527
Andante
Adagio e dolce
Vivace

Wenn wir in höchsten Nöten sein. BWV 641

Variaciones canónicas: Vom Himmel hoch.
BWV 769

Ich ruf’ zu dir, Herr Jesu Christ.
BWV 639

Trio Sonata no 6 G –dur.
BWV 530
Vivace
Lento
Allegro

CONTACT & MANAGEMENT

+34 955 226 316
alqhai.alqhai@gmail.com
Accademia del Piacere © 2016 | Diseño: Mr. Gálvez
  • Twitter
  • Facebook
  • Youtube
Le Lacrime di Eros Hispalis Splendens
Scroll to top
X